Pinkal Art · Atelier

Ludwigsburg, Germany

Paintings from a world that never existed

Forty-two original canvases — dream architecture, quiet figures, restless creatures and luminous symbols. Nothing here was copied from life. All of it was imagined first.

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Works
42
Medium
Acrylic & oil on canvas
Origin
Imagination only
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The statement

I don't paint what I have seen. I paint the place the mind goes just before sleep — where a palace floats over a waterfall, where rain is warm, and where every animal is somebody.

Pinkal

Self-taught painter working in acrylic and oil. Each canvas begins with no reference and no photograph — only a feeling, a colour, and the patience to keep layering until the world holds still.

Three to begin with

Marble in the Clouds — a white palace above a waterfall

01

Marble in the Clouds

An imagined white palace hovers above a dark escarpment, lit like a memory rather than a monument. The stone is warm where it should be cold, and the water below never quite falls.

Peacock Hymn — a peacock rendered in ornamental colour

19

Peacock Hymn

A peacock opens its presence like a ritual — rich with pride, pattern and ornamental stillness. The widest canvas in the collection, painted to be read from left to right like a line of music.

Radiance of the Divine — a devotional figure in saturated colour

28

Radiance of the Divine

A devotional figure glows with symbolic intensity, offering serenity through ornament and light. Blue holds the edges of the canvas so the centre can burn.

The collection

Forty-two imagined worlds

Select any canvas to open it full-screen with its title and story. Use the arrow keys to move through the collection.

In the studio

How a world gets built

  1. I

    The feeling first

    No sketch, no photograph. A canvas starts with a single mood — a colour that will not leave, or a scene half-remembered from a dream.

  2. II

    Ground & shadow

    The darkest values go down first. Everything luminous in the finished work is built on a layer nobody will ever see.

  3. III

    Layer upon layer

    Colour is added in thin passes until the surface begins to glow from underneath rather than from the top.

  4. IV

    Knowing when to stop

    The painting is finished when the imagined place holds still — when adding one more mark would only explain it.

Inquire

Take a painting home

Write for availability, pricing, shipping, or to commission something new. If a particular canvas is already on your mind, name it — or open it in the gallery and press Ask about this work to bring the title straight here.

  • Location Ludwigsburg, Germany
  • Reply time Usually within a few days
  • Elsewhere @pinkal_art_kunst